The longest and most packed awards season yet has finally come to a close with last night’s 2020 Oscars. While usually Hollywood gives us a f*cking break for a couple of weeks (and a chance to enjoy one single Sunday in early 2020), this year they moved the Oscars from late February to the weekend after the Super Bowl. While I’m glad that celebrities have nothing better to do, the rest of us would like to actually go to bed before midnight on a Sunday.
This year, the Oscars decided to forego a host yet again, probably because Steve Martin and Chris Rock wouldn’t agree to do it. In years past, this has been a good choice to help keep things moving, but this year instead of host monologues, they filled the time with 5-minute montages of every nominated movie for every award. The result was a Hollywood circle jerk that was FOUR HOURS LONG. Think about that. That’s half a work day. That’s about two hours longer than it needed to be. There is really no reason for it to run that long.
The Academy seemed acutely aware of all the criticisms that have been levied against it (especially in the diversity department, or lack thereof), so they decided to respond to that by having literally every presenter make some sort of joke or crack about it. I’m glad that they are at least not pretending to brush their systematic issues under the rug, and I love shade as much as the next bitch, but you know what would be a good way to fix their issues? Actually fix them and nominate more diverse contenders. It’s like when I joke about being single and lonely but never actually go on dates.
Janelle Monáe opened the ceremony by singing the Mr. Rogers theme song, making her the only person who could be even more lovable than Tom Hanks.
Janelle continued to prove why she’s Hollywood’s most lovable weirdo with her next song, where the background dancers were each dressed as a character from one of the nominated films. When she tried to get all the random celebrities in the audience to sing along with her by holding a mic up to their face, it was everything. Some were into it, but most were really not. Which is weird, because you’d think these people would do anything for more attention and camera time. It reminded me of when I go to a restaurant and they sing “happy birthday” to me, which is only a little traumatic.
Steve Martin and Chris Rock presented the first award, which Steve says was a huge demotion. One of the best moments, though, was when Chris Rock made fun of Jeff Bezos (who was in attendance for some reason), saying Bezos “thought Marriage Story was a comedy,” and that “He’s so rich he got divorced and is still the richest man on Earth.”
Josh Gad was actually hilarious for roasting our healthcare system and John Travolta’s pronunciation of Idina Menzel. #NeverForgetAdeleNazeem
Shia LaBoeuf emerged from whatever cave he’s been living in to present the award for Best Live Action Short Film. In a touching moment, he shared the stage with his Peanut Butter Falcon costar, Zack Gottsagen, who has Down syndrome. You can tell that Shia and Zack really have a special bond, and their moment together warmed my cold, dead heart.
Maya Rudolph and Kristen Wiig were hilariously pissed off and wouldn’t tell anyone why when presenting the award for Best Costume Design, which made sense because Kristen came dressed as a giant menstrual pad. Their singing medley about best costume design was hilarious, and not just because it brought us one of the best memes of the night, Billie Eilish’s confused reaction to their impromptu rendition of “The Thong Song”.
Will Ferrell and Julia Louis-Dreyfus were all of us trying to pretend we know what cinematography actually is. “It’s like the person who knocks on my trailer door and tells me I have to get on set!”
Diane Keaton was on another planet when she presented Best Original Screenplay with Keanu Reeves, wearing not one, but two tweed coats and a wide-brimmed hat. Basically, she looked like Carmen San Diego but in black and white. She almost opened the envelope before even announcing the nominees, and then almost dropped the envelope announcing the winner. Diane, never change.
Rebel Wilson and James Corden dressed up as Cats characters saying “no one better than us understands the importance of good visual effects,” which was expert level shade. I also was way too captivated watching them hit the mic back and forth for like, three full minutes, pretending to be cats.
Regina King presented the award for Best Supporting Actor, with Brad Pitt winning for Once Upon A Time In Hollywood, his first Oscar win. Don’t get me wrong, I was happy for Brad, but salty that Jen was not in attendance so we could have more memes of them holding hands. Like, what, did she have something better to do last night? Brad dedicated his speech to Quentin Tarantino, saying, “the film industry would be a darker place without you.” Which leads me to believe he hasn’t seen a Tarantino movie? Because they’re pretty f*cking dark.
Toy Story 4 won for Best Animated Movie, and while the millennial in me was thrilled about it, the part of my brain that uses logic was not. Let’s call a spade a spade: Toy Story 4 was an enjoyable movie, but it did not need to happen. Toy Story 3 was a perfect close-out to the series, and now that the fourth one has one an Oscar, Disney/Pixar are going to keep marring this otherwise perfect series by bringing us a fifth movie that nobody wants or needs.
Jojo Rabbit won for Best Adapted Screenplay, and you could tell he was so nervous up there that I wanted to give him a hug. As an indigenous person from New Zealand, Taika was one of the few bits of diversity among the writing and directing nominees this year, so it was great to see him take home an award.
Laura Dern won Best Supporting Actress for her role in Marriage Story, which has got to be the only time I’ve been upset about Laura Dern winning an award. Judging by Twitter’s reactions, I’m pretty sure I’m alone on this, but still. Justice for Florence! (As an aside, I guess this means I need to watch Marriage Story, which I’m reluctant to do because my first-person account of love and dating in 2020 is bleak enough as it is.)
Elton John and Bernie Taupin won for Best Original Song in Rocketman. The song itself is kind of forgettable, but no one is gonna complain about Elton John winning an Oscar. Actually, I’m sure the people behind Frozen II are gonna complain, but maybe they should focus on fixing the plot holes in their movie first.
Joaquin Phoenix won for Best Actor in Joker, and his acceptance speech was almost as confusing as Eminem’s performance (more on that in a sec). He went from artificially inseminating cows, to talking about how bad milk is, to somehow relating it to human rights? That sounds like something I dreamed up while high, but I swear it actually happened.
Renée Zellweger won her second Best Actress Oscar for her portrayal of Judy Garland, which really was incredible. Also incredible is Renée’s journey from a few years ago, when she resurfaced in Hollywood, and all people could talk about was that her face looked different. We love a comeback story.
And of course, last but not least, Parasite really cleaned up, winning Best Original Screenplay, Best International Film, Best Director, and finally, Best Picture. Is the Academy listening to everyone (and I mean everyone)’s calls for diversity? (Maybe not, because the women still got screwed.) But still, it’s something. Everyone in the audience was thrilled for them, meaning that for once, the Academy didn’t f*ck it up—except for when they tried to dim the lights on the Parasite crew’s acceptance speeches and the entire audience chanted until they put the lights back on and gave everyone their time. Look, if you let Joaquin Phoenix ramble on about artificially inseminating cows for seven minutes, you could give the Best Picture winners more than their 45 seconds.
I’m still not sure why Eminem came out to sing “Lose Yourself” in 2020, but I do know that I cheered out loud when it happened. It was our Shakira/J.Lo Halftime Show. I would kill to be a fly on the wall in that pitch meeting. The best part of the entire awards ceremony were all the confused faces they panned to in the audience.
Cynthia Erivo looked incredible, and almost like an Oscar, performing the song from Harriet. I’m a little salty she didn’t win for this song, just because she would’ve been the youngest person to ever EGOT, but who can really be mad about losing to Elton John?
Chrissy Metz showed up to sing “I’m Standing With You” from the movie Breakthrough, which I had never heard of until *checks watch* 12 hours ago. Turns out, Chrissy Metz can actually sing, but I’m not sure why she’s doing random movies about the power of Jesus. Girl, I know those This Is Us checks are nice, so take a break.
The performance of “Into The Unknown” from Frozen II was actually really cool, because they had Elsas from a bunch of different countries sing parts of the song in their own languages. This was also smart because it meant that Idina Menzel only really had to sing one verse. Last time she sang at the Oscars, it didn’t go super great, but this time was much better. See you back here in four years for Frozen 3!
Elton John sang the original song from Rocketman, which, as I said, is kind of forgettable. I know that he was supposed to perform the song that was nominated, but I feel like he should’ve just said f*ck it and sang a medley of his hits. Give the people “Benny & The Jets”!!!
Billie Eilish showed up to sing “Yesterday” during the in memoriam segment, and she did a great job. Sadly, I was already falling asleep by the time they got to her, but that’s not her fault *glares at the Oscar producers*. I feel like the old white men who plan the Oscars saw her win all those Grammys, and were like “who’s that girl and how do we get her?” The Academy kind of f*cked up by not including Luke Perry in the tribute, especially considering that he had a small part in Once Upon A Time In Hollywood. It felt rude, to say the least.
The 2020 Oscars managed to do the impossible and be even longer than last year, which means I’m going to need to go to bed at 8pm every night this week to make up for all the lost sleep. There were no big upsets or surprises this year (looking at you, Shape of Water), except for the fact that I didn’t really think the Academy would do the right thing and choose Parasite for Best Picture. But I’m glad they did! Overall, every win was pretty well-deserved, and there was nothing too controversial. Now just call me Bong Joon-ho, because I’m ready to drink tonight.
Images: Craig Sjodin / Getty; Giphy
Last night was The Oscars, and low-key to our dismay, most people actually came correct on the red carpet. There were a lot of amazing looks, but thankfully just enough missteps to give us memes to fuel us into the next awards season. And I still can’t figure out why Blac Chyna was invited to the Oscars. Maybe Kanye gave her his ticket? We may never know. In any case, here’s our best and worst dressed list from the 2020 Oscars.
Worst: Lily Aldridge
Is this a designer dress, or one of my used pads from a light flow day? Not sure if the period flower makes this otherwise blah dress more interesting to look at or worse. Also, why is Lily Aldridge at the Oscars? Maybe she snuck in with Blac Chyna?
Best: Mindy Kaling
Looked like a f*cking dream in a yellow Dolce & Gabbana dress and a diamond necklace that literally came with its own security team. Wait, wasn’t this the plot of the Ocean’s 11 remake?
Worst: Billy Porter
Drag me if you want, but I’m going to say it. This outfit is ugly. I am 100% in support of Billy Porter being extra AF and tearing down gender norms on every red carpet, but that doesn’t mean I have to enjoy all of his looks. The feathered gold top and the giant printed skirt are both beautiful on their own, but they totally clash, and not in a cool fashion power-clash kind of way. I love Billy Porter, and I always look forward to his over-the-top looks, but this one just didn’t do it for me.
Best: Natalie Portman
Natalie Portman’s black and gold dress was absolutely gorgeous, and the only thing that made her look even better was that she embroidered her cape with the names of all the female directors who got snubbed this year. We love a feminist queen.
Worst: Idina Menzel
I already needed a nap before the night started, and this dress did not help. I feel like Idina didn’t realize she needed to be at the Oscars until the day of and bought a dress off the rack at JC Penney. She looked wayyyy better in the white gown that she wore to perform during the show, so I kind of wish she had just worn that on the carpet.
Best: Janelle Monáe
Looking like a space empress who came down to save the galaxy from Trump, Coronavirus, and climate change. Janelle Monáe is so f*cking powerful, Thanos is shaking.
Worst: Laura Dern
Laura Dern was a big winner this award season, but she can’t win every award and every red carpet. I basically thought she could do no wrong until she showed up in this lampshade/outtakes from my grandma’s curtains. Sh*t happens. But still, she made everyone cry when she talked about her parents during her acceptance speech, so I’m not mad at her.
Best: Regina King
If I ever win an Oscar, the next year I’m showing up wearing sweatpants and a beanie. Suck it, Academy, my job is done here! But instead of doing that, Regina King followed up last year’s win by winning this year’s red carpet. This Versace gown is absolutely stunning, and Regina’s arms are no joke either. I seriously can’t stop looking at this.
Worst: Olivia Colman
I love that Olivia Colman isn’t afraid to make interesting choices on the red carpet, but that doesn’t mean I have to love all the actual choices she makes. This blue Stella McCartney dress fit her like a glove, but the big shoulder gemstones look like eyes, and when paired with those armpit cutouts, I can’t stop thinking that this dress looks like Stitch. Like, from Lilo & Stitch. Tell me I’m wrong if you want, but I saw what I saw.
Best: Scarlett Johansson
This dress might not be for everyone, but hey, that’s fashion. Scarlett Johansson had two nominations this year, and she looked hot AF in this drippy jeweled dress situation. That exposed corset has her waist looking seriously snatched, and I also love that the strapless cut shows off her back tattoo. Love her or hate her, but she looks fierce.
Worst: Sandra Oh
You know on Say Yes To The Dress, when there’s a bride who can’t stop talking about how much she loves tulle? Sandra Oh was channeling that vibe last night, with poofy tulle sleeves AND a giant ring of tulle around the whole hem of her dress. It was… a lot, especially coupled with the bow on the dress. Her glam looks great, but sometimes less is more!
Best: Brie Larson
Normally, I’m not that into capes on the red carpet, but Brie Larson just looks so good in this dress. The cut of the dress is pretty simple and extremely flattering, but then the all-over sparkles bring it to the exact right level of extra. I love that she kept her hair and makeup simple, and just let the dress do all the talking. God, she’s hot.
Worst: Kristen Wiig
I can appreciate that Kristen at least wore something interesting and not just a boring white dress that you could find at the Macy’s bridal section (looking at you, Renée Zellweger), but I’m just confused why she showed up dressed as a giant lasagna.
WTF: Blac Chyna
She doesn’t even go here! She actually looked good, but I still don’t understand how Blac Chyna managed to sneak past security. I’m sad she didn’t pop up on E! to tell Ryan Seacrest to “cut the cameras, deadass,” but we can’t always get what we want.
And with that, awards season 2020 has officially come to a close. I’d like to thank the Academy, Seamless, and coffee for getting me through. Seriously though, thank god this is over. See you here in May to talk sh*t about the Met Gala looks!
Images: Jeff Kravitz, Steve Granitz / Getty Images
On Monday morning, the Academy of Motion Pictures Arts & Sciences announced the nominations for the 92nd Academy Awards, or as everyone in the world calls it, the Oscar nominations. I laughed, I cried, I might have yelled at my phone screen, but I promise I’ve now settled down. Awards season is one of my favorite times of year, and I basically saw all the big movies this year, so let’s just say I have some thoughts about these nominations. While there were a lot of nominations that weren’t surprising (deserved or not), there were some snubs that really stung. Here are the biggest issues with this year’s Oscar nominations.
People of Color
Funny, I feel like we’ve had this conversation before!! Once again, the Oscars completely missed the diversity mark with their acting nominations, with only one POC among the 20 nominees. One!!! Cynthia Erivo was recognized for her performance in Harriet, but the Academy wasn’t in the mood to nominate anyone else who’s not white. Keep reading for a few particularly surprising snubs, but the lack of diversity, year after year, in these nominations is a larger issue that doesn’t hinge on one or two people. Whatever the Academy has tried to make their voting body more diverse clearly isn’t working the way it should.
This really felt like the year of J.Lo. Everyone f*cking loved Hustlers, and she’s been racking up Supporting Actress nominations all season… but an Oscar nomination wasn’t meant to be. To me, this was the most surprising snub of the year, because it seems like such a great story. Like, J.Lo has been in the game forever, and this year she finally blew us away with the performance of her career.
After winning Best Actor and Best Original Song at the Golden Globes, along with a Best Picture nomination, it seemed like Rocketman might have a solid showing at the Oscars, but no. Other than Elton John getting his inevitable Best Original Song nomination, the biopic didn’t get any love. This is especially disappointing considering that last year, Bohemian Rhapsody won more awards than any other movie, despite being objectively bad. You hate to see it.
If you haven’t seen The Farewell, go watch it ASAP. While it was one of the best-reviewed movies of 2019, it was always an underdog for awards season, until last weekend, when Awkwafina won Best Actress at the Golden Globes. It felt like a major milestone in her career, and a sure sign that her first Oscar nomination was in store. But apparently the Oscar voters didn’t feel like watching a movie that’s mostly in Chinese, and The Farewell was completely shut out of the nominations. It’s a shame, but I still can’t wait to see what Awkwafina does next.
Sadly, I saw this one coming. Despite this year bringing strong female-directed contenders like Little Women, The Farewell, Hustlers, and A Beautiful Day In The Neighborhood, none of these directors ever picked up steam during awards season. After announcing the nominees, Issa Rae spoke for all of us when she said “CONGRATULATIONS TO THOSE MEN.” Truly, a queen. At this point, it seems like the Academy is going out of its way not to nominate female directors, but I’m too tired to come up with a conspiracy theory. Either way, it sucks, and there’s no excuse.
I actually liked Jordan Peele’s second movie Us more than Get Out, but it never became an awards season favorite. In general, it’s tough for horror movies to get nominated in major categories, but the lack of a Best Actress nomination for Lupita Nyong’o makes me sad. It’s not shocking, but again, it feels like the Academy missed nearly every opportunity here to celebrate diversity. Meanwhile, I’m sure Jordan Peele is coming up with something even more batsh*t for his next movie, so I’ll just get through the day by thinking about that.
The Oscars are on February 9th, so we’ll find out then if they f*ck up the winners like they did the nominees. Spoiler alert, the answer will probably be yes! I probably shouldn’t care so much about this, but I can’t help it—how else am I going to avoid the real problems in my life?
Images: Giphy (6)